I was 13 when the original movie came out, but this movie seemed different—and better—than my memory of the original. I think it was also a lot more intense…there were several scenes of Dre being bullied that made me wince.
The mother in the movie was an interesting character. She’d never have allowed her son to be bullied—if she’d known about it. The character clearly loved her child…but was busy with a new job, new country, new customs, etc. I thought the writers and director had a tough job—show the mother as loving and supportive, but ultimately keep her distant to allow her son to run into trouble.
It seemed to me that the screenwriter accomplished this by making the mother ineffective in a plausible way: She’d just moved to a foreign country. She was trying to learn the language, currency, and her new job. She was busy enough not to be perceptive.
I’ll admit I’m on top of my kids all the time—I know where they are, who they’re with, how long they’ll be there…and they’re not allowed to go wandering around the neighborhood by themselves.
Any movie based on my children would be extremely boring.
But this mother moved to China, where her son spoke not a word of the language, and let him roam around the neighborhood at all hours. Once there was a text on his phone from his mom that he needed to come home—that was pretty much it for supervision. She also let him spend entire days with a maintenance man who was a stranger to her…someone she knew nothing about.
If she hadn’t kept this distance from her child, if she’d demanded to know why Dre had a black eye when he clearly lied and said he’d run into a pole, the plot couldn’t have moved forward. He’d never have encountered the bully that made him take up kung fu. He’d never have learned martial arts from the strange man. The whole plot could never have taken place.
This kind of character is very prevalent in YA literature—as are dead parents. :) Parents are notorious for interfering. But then I started thinking about my own books. Both of my protagonists are widows. Why? Because they’re older ladies and I didn’t want their husbands being over-protective and interfering if they wanted to track down killers. My Myrtle Clover character has an interfering son, but since he’s not in the same house, he can’t shut her down as effectively—she can bypass him.
Some interfering characters are important—the antagonist, obviously, is there to provide conflict for our characters and propel the plot forward.
But characters who hold our protagonists back? I’m thinking most of us avoid writing them unless we’re writing a story where our character breaks away from these people (Harry Potter escaping his awful aunt and uncle comes to mind.)
How about you? Do you have a character that holds your character back? How do you handle it?